剧情简介
康沃尔(ěr )渔村的风景明信(xìn )片(piàn )田(📼)园诗误导(dǎo )(🍩)了人(🌰)们。虽然(🕟)过去钓鱼是(shì )一种养家糊口(kǒu )的(🆖)方式，但(dàn )(🌰)如今富(🏴)有的(de )伦敦(💤)游客纷(fēn )纷下山(shān )，取代了(le )当地人(rén )，当地(dì )人的生(shēng )计因此受到威胁(🎡)。史蒂(dì )(👁)文和(hé )马丁兄弟的关系也很紧张。马(🎫)丁(🥞)是(shì )一个没(méi )有船的(🚸)渔夫，因为史蒂文开始用(💞)它(tā )来(🚢)为(🌙)一整(zhěng )天的游客(kè )(🌚)提供更(🛑)赚钱的旅游。他们卖掉了这座家庭别墅(shù )，现(✋)在看来，最后(hòu )一场战(zhàn )斗是和(💪)新主(🎾)人在海边的停车位(🧤)上展开。然而，情(👺)况很快就失(shī )控(kòng )了(🐀)，而(ér )不(🧣)仅(jǐn )(🤖)仅是因(yīn )为车轮夹(jiá )钳。 Bait是一种黑白(bái )(🦇)，手工制作(🐛)，16毫米(🥋)胶片制(zhì )作的电影。许多(duō )关于(🔈)鱼(yú )、网、龙虾、长靴、绳(🤥)结和渔篮的特写镜(🔷)头(👵)让人想(xiǎng )起了蒙(🏃)太奇景点的理论(lùn )。对不同(🆙)社会(huì )阶层的描述——可以说是(🔲)阶(jiē )级关(guān )(😳)系(xì )——也让人想起(👚)了英国电影中的社会现实主义(yì )传统(🚩)。然而(🏸)，最重要(⏺)的(🧥)是，在(zài )影(yǐng )像中不同层次(🈂)的电影历(lì )史参考(kǎo )文献之下，当前许多(duō )政(zhèng )治(🕵)关联正在等待(👆)被(🔍)发现(🍉)。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🧒) Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎲) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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